ARTICLES
Decolonial studies
Epistemologies
Literary studies
Education studies
Afroscenology for British actors? Making performance pregnant with culture
Why Decolonial Studies differs from Postcolonial Studies: Ramón Grosfoguel on Modernity, Capitalism, and Race
Silvia Rivera Cusicanqui’s ‘Ch’ixinakax utxiwa’
Wor(l)ds of rebellion: Rosemary rememberings, grief pedagogies and honouring the elders
Bates’ ‘Nothing rhymes with Ngapartji’
Critiques of decoloniality
Sabelo J. Ndlovu-Gatsheni’s ‘Epistemic freedom in Africa’
Postcolonial memory work as wake work
Rehoming the home
Annette Joseph-Gabriel’s ‘Reimagining liberation’
Fahad Ahmad Bishara’s ‘A sea of debt’
Decolonisation as practice: Reflecting on personal and institutional journeys towards change
Afroscenology for British actors? Making performance pregnant with culture
Sanjay Sharma’s ‘Multicultural encounters’
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ARTICLES
Decolonial studies
Epistemologies
Literary studies
Education studies
Afroscenology for British actors? Making performance pregnant with culture
Why Decolonial Studies differs from Postcolonial Studies: Ramón Grosfoguel on Modernity, Capitalism, and Race
Silvia Rivera Cusicanqui’s ‘Ch’ixinakax utxiwa’
Wor(l)ds of rebellion: Rosemary rememberings, grief pedagogies and honouring the elders
Bates’ ‘Nothing rhymes with Ngapartji’
Critiques of decoloniality
Sabelo J. Ndlovu-Gatsheni’s ‘Epistemic freedom in Africa’
Postcolonial memory work as wake work
Rehoming the home
Annette Joseph-Gabriel’s ‘Reimagining liberation’
Fahad Ahmad Bishara’s ‘A sea of debt’
Decolonisation as practice: Reflecting on personal and institutional journeys towards change
Afroscenology for British actors? Making performance pregnant with culture
Sanjay Sharma’s ‘Multicultural encounters’
ABOUT
Aims & scope
Editorial & Programming
Contact
FAQ
JOIN A READING GROUP
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ARTICLES
Decolonial studies
Epistemologies
Literary studies
Education studies
ABOUT
Aims & scope
Editorial & Programming
Contact
FAQ
JOIN A READING GROUP
Aims & scope
Editorial & programming
Contact
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